NYFF 2010 - Day 6

Day 6 was dominated by Jean-Luc Godard's dazzlingly beautiful meditation/collage/puzzle, Film Socialisme. All I can do at the moment is echo the title card that ends what will possibly be Godard's last film, No Comment.

Wednesday also offered Benjamin Heisenberg's The Robber, an Austrian film about a champion marathon runner who doubles as a bank robber, constantly running to escape capture. It's an absorbing genre film in which the character's motivation remains ambiguous.